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Ondskan

Ondskan

I just decided that that I am an addict to Swedish movies, in a bad way... Because everytime that I see a Swedish movie, a sentiment like falling down from a mountain occures into me. Like there is a big hole inside of me and it gets bigger while I continue to watch to movie. But I do it again. I know that I am going to feel the same falling down effect before watching a Swedish movie but I watch it anyway. Ondskan (En: Evil, Tr: Şeytan) is a good example of thst kind of movies.  Scandinavian movies do not tell a different story, but they tell it in a different way. Cooler, not charming people to do empathy with caracters but discuss them within the pure reality so that the audiences will not be able to repeat that kind of issues in their real lifes. It reminds me a little bit Pavlov's experiment. I am not so sure that Scandinavians - especially Swedish ones - do that in purpose. The director of Ondskan is Mikael Håfström . I can clearly say that the fiction of t

Vahsi Nasil Vahsi Oldu?

Teknoloji, akil, bilim cagi... Uzaya cikiyoruz, en olmadi tabletlerimizden kizgin kuslar firlativeriyoruz. Fazlasiyla moderniz. Z cagi denilen cocuklarimiz teknolojik bilgiler hakkinda bize kibirli laflar ettikçe gururlaniyoruz. Sonucta super zekali. Olacak o kadar! Universite sinavlarina hazirlanayim derken binlerce gereksiz Turkce parafraf okuyan nesiller bilir, bu paragraflarin yuzde ellisi artik kimsenin kitap okumadigi, dijital bir cagda oldugumuz, insanin yalnizlastigi ile ilgili olur. Bazen o paragraflari okuyayim derken uzay zaman dongusunu bozarsiniz, "Bu lafi bir yerlerden hatirliyorum." dersiniz okudugunuz ayni konudaki 1213523. parafrag icin. Okudugunuza yaptiginiz ise alyenlesirsiniz. Marx Turk ve OSS'ye hazirlanan bir cocuga sahip olsaydi, alyenlesmenin modern halini en iyi yansitan durumun keisnlikle bu sinav sistemi oldugunu soylerdi. Saka yapmiyorum.  Bizim bu alyenlesen bireylerimiz dijital dunyanin insani "teklilige" iteledigi konusunda

Yes, we ban and the way of exit.

Yes, we ban and the way of exit.

Today I am going to write about out of my usual topics. I would like to do some criticism on movies or music bands but the decraising tention in Turkey has started to turn out as "dictatiora" as we can call. Worries about Turkey was never ended in past and it is never going to end. But the fact is, every country has issues and this issues qill bring out dynamisms and progression to the future.I dare that this any kind of movements- democratic or non-democratic- that changes the real framework in a country, region or ethnicity will have different consequences that we might not forehead and this consequences are necessary even if we don't appreciate the results. Yes, I am trying to say that any kind of changing is good. It will link us to an other situation that will make a chain reaction. But of course, if I take my Turkish glasses on, it is terrifying what is happening in here right now. I took lots of courses on European Union in the terms of inre

Stoker

Stoker

I was pondering about the movies that I have seen so far but somehow I never remembered "Stoker" until this evening. Suddenly something that I don't know made me remember Mia Washkiowska then some of the nerves in my brain made a undirect connection to Stoker, a movie that you probably may call "cold". Cold may be the world which describes the ambiance of the movie but for the ones who are familiar with  Chan-wook Park 's style, there's a lot more. Yeah, I said Chan-Wook Park. We can consider Stoker as his first Hollywood movie but most of us know him from "Ouldeuboi".  As a South-Korean, Park seems rapidly atrached with Hollywood and emerged his own style with it. His artistic scenes embraces with shocking details and symbols. His artistic scenes get alive with high-level performances of Mia Washikowska, Nicole Kidman and Matthew Goode. The fiction is simple. A tennage girl called   India (Mia Washikowska) lives with h

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